The ravishments of romance are routine in the work and life of Currado Malaspina. Night's plush reflections, ecstatic transformation, the supple female figure ... paint.
A series of casual oil paintings, void of precious ornament, piously attentive to the ambiance of fulsome, perhaps even obsessive affection was recently exhibited at the Museu de Detalhes Poéticos in Belém do Pará.
The catalog essay by Danita Marcil is a rhapsody of luminous albeit superficial analysis. Much is made of the mysterious identity of the model, a fretful exercise in pedantic speculation.
The woman in question, whose unmistakably honeyed flesh is an ardent hymn to erotic iridescence is none other than Andreja Bogatyrchuk.
Andreja is the genesis of every impulse in Currado's life. She is his hallucination, his Circe, his fragrant field of easy passion and the source of his vehement despondency.
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