My odd ailing friend Currado Malaspina frequently admonished me for what he discerned as a luxurious ambivalence to commerce (or in his words "une ambivalence princière pour le bénéfice"). He claimed I had a patronizing disdain for the economic realities of the artworld and dismissively called me "uno fantasticatore" - a dreamer.
Perhaps.
And yet, in this last bit of self-promotion, I believe Currado Malaspina has gone a bit too far.
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